There is a curious rabbit in a cage next to the couch and a cockroach clambering down a curtain. There’s a kids’ show on TV and half-eaten peanut butter and jelly squares on the coffee table, but no sign of Billy or Tommy. Monica stares on in frustration.Īgnes leads Wanda into the living room. And she leads her away back to her house, just next door. Monica is pleading with Wanda, trying to get through to her and it looks like Wanda is starting to actually listen when suddenly. She’s becoming either a new Captain Marvel or one of Monica Rambeau’s other titles over the years: Photon, Pulsar or Spectrum, take your pick.Īgnes/Agatha looks out the window and sees the two talking-calmly now. This is Monica’s superhero origin story, it turns out. She hurls her into the air and then slams her to the ground-where Monica lands in a pulse of blue energy, her knee and fist slamming the ground unharmed. Monica races to Wanda’s house and confronts her and Wanda reacts with rage. I wouldn’t love it if SWORD was controlled by Hydra the same way SHIELD was for a spell. Our suspicions about his intentions were right all along, though I still don’t know if he’s Hydra or just a rogue director. Then she runs off to find Wanda and warn her about Darcy’s discovery: Hayward was trying to recommission Vision’s body and use it as a sentient weapon. She blinks and her eyes change back and the world is normal again. Her eyes have turned a glossy blue and as she glances around the world looks like a painting if the artist had used energy instead of paint. It’s several yards deep, and as she presses through it-walking against a strong, digital wind-we see versions of herself and the fake selves she became in Westview, scattered around her like a kaleidoscope.įinally she bursts through the other side. She presses her hands into the red forcefield and then her arms and then she’s in all the way. Without even putting her helmet back on she charges toward the barrier, with Woo shouting at her to stop. Monica has to bail and the tank, after getting halfway through and half-transforming into a pickup truck, is spit back out.īut this only gives Monica more determination. As the trailers hinted at, this is not a success. She’s brought Monica the tank-of-sorts she requested and Monica suits up in a space suit and tries to break through the barrier. Ultimately they split up when Vision is forced to fly away rather than wait in the truck any longer. Darcy doesn’t know anything about what’s going on now, but she fills Vision in on his past. He persists and manages to brain zap her back into reality, and the two of them head to meet up with Wanda. He sees Darcy standing nearby and tries to talk with her, but she calls him a “creeper” and assumes he’s just coming on to her. Speaking of which, this is where Vision wakes up-in the circus. Wanda, meanwhile, jokes that her day of doing nothing is punishment for her expansion of her make-believe world. She takes the kids over to her place so that Wanda can have some alone time. When she comes by to take the kids off of Wanda’s hands, she tells them “Don’t worry, I won’t bite.” The camera cuts to her looking directly at the camera and she says: “I did bite a kid once.” “I’m fine,” she tells the camera.Īgnes provides all the funny bits. “Must be a case of the Mondays,” she jokes, laughing goofily, as her reality flickers around her, the flat-screen TV changing back into an old black and white box the stairs and couches and wallpaper all shifting in-between decades. Wanda’s bits are all about being in denial. We’ve entered the age of the “mockumentary” style TV show and throughout the episode Wanda, Agnes and Vision all speak directly to the camera between scenes.
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